Email this article AL-ISFAHANI’S FANDOM IN THE KITAB AL-AĠANI (THE BOOK OF SONGS): AN ANALYSIS OF THE BIOGRAPHY OF IBN SURAYĞ (Al-Isfahani’s Fandom dalam Kitab al-Aġani (Buku Lagu): Suatu Analisis Biografi Ibn Surayğ)
Abstract
ABSTRACT
This article examines the biography of the musician, Ibn Surayǧ (d. c. 96/714), in the Kitāb al-Aġānī, with regard to how the compiler, Abū al-Faraǧ ʿAlī b. al Ḥusayn al-Iṣfahānī (d. after 356/967), edits his source material (aḫbār) in order to articulate his admiration for the musician, Isḥāq b. Ibrāhīm al-Mawṣilī (155 235/772–850). Through an investigation of al-Iṣfahānī’s repetition and juxtaposition of aḫbār, his fandom is revealed in the article on Ibn Surayǧ, where al-Iṣfahānī shapes the narrative that problematizes a report unfavourable towards Isḥāq while elevating his musical achievement. Although the Kitāb al-Aġānī, as an aḫbār compilation, seems void of authorial voice, and, thus, of originality, examination of the compiler’s editorial work shows his articulation of his own perspective.
ABSTRAK
Makalah ini mengkaji biografi ahli muzik Ibn Surayǧ (meninggal abad ke-96/714) dalam Kitāb al-Aġānī tentang bagaimana Abū al-Faraǧ ʿAlī b. al Ḥusayn al-Iṣfahānī (meninggal selepas 356/967) menyunting sumber bahan (aḫbār) dalam kitab al-Aġānī bagi menyuarakan kekagumannya terhadap ahli muzik bernama Isḥāq b. Ibrāhīm al-Mawṣilī (155-235/772-850). Melalui analisis yang dibuat oleh al-Iṣfahānī berdasarkan pengulungan dan perbandingan dalam aḫbār, fandom beliau ditemui dalam makalah berkaitan Ibn Surayǧ, yang mana al-Iṣfahānī membentuk naratif yang menyelesaikan kekeliruan daripada laporan berkenaan Isḥāq yang kurang memuaskan, disamping mengiktirafkan pencapaian beliau dalam bidang muzik. Walaupun Kitāb al-Aġānī adalah kompilasi aḫbār yang tidak mengutarakan suara pengarang, namun keaslian analisis daripada kerja-kerja editorial yang dibuat oleh penyusunannya menunjukkan gambaran atau ekspresi daripada perspektifnya sendiri.
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