A Systematic Literature Review of Chinese Martial Arts Cinema: Analytical Elements, Methods, and Limitations
Abstract
Chinese martial arts cinema has attained global importance, eliciting considerable academic interest in film studies, cultural studies, and communication studies. However, the diverse character of these studies across disciplines and geographies requires careful synthesis to inform future research initiatives. This systematic literature review addresses this need by examining 54 peer-reviewed articles selected from 8,123 initial records (0.66% inclusion rate). Following PRISMA 2020 guidelines, this study addresses three research questions concerning dominant analytical frameworks, methodological approaches, and critical gaps in the field. Findings reveal cultural and political analysis dominates (37.0%), followed by industry and production studies (27.8%), cross-cultural reception (22.2%), and technical and aesthetic innovation (13.0%). Methodologically, qualitative approaches prevail (59.3%), with limited quantitative (14.8%) and mixed methods (25.9%) research. Geographic distribution shows balanced international engagement: Asia-Pacific (40.7%), North America (33.3%), and Europe (25.9%). Temporal analysis indicates consistent scholarly interest across two decades rather than dramatic growth. Theoretically, cultural studies (37.0%) and film studies (33.3%) together account for 70.3% of theoretical approaches, while philosophical and aesthetic frameworks comprise 11.1%. Critical gaps include the absence of genre-specific theoretical development, limited engagement with Chinese philosophical traditions, and insufficient attention to digital transformation's impact on martial arts aesthetics. The study concludes that while the field demonstrates sophistication in cultural-political analysis, substantial opportunities exist for methodological diversification, theoretical innovation grounded in indigenous perspectives, and expanded research on aesthetic dimensions. These findings provide evidence-based guidance for redirecting research priorities toward a comprehensive understanding of this globally significant cinematic form.
Keywords: Chinese martial arts cinema, kung fu, systematic literature review, research methodology, film studies.
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